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The Middle Eastern influence on late medieval Italian dances
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ISBN: 0773421602 9780773421608 0773474285 9780773474284 077347742X 9780773477421 0773474285 9780773474284 Year: 2001 Publisher: Lewiston, N.Y. Edwin Mellen Press

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This work focuses on eight of the dances, the 'istampittas,' linked etymologically to the 'estampie,' a French dance, whose origins are here examined with an eye toward Italian and French music and civilization, as well as the music and society of the Arabs.


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Books on Croatia and Croatians : recorded in the British Library general catalogue
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ISBN: 9536525038 9536058278 9789536058273 Year: 1996 Publisher: Zagreb ; London ; New York Croatian Information Centre

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Moses the Egyptian in the Illustrated Old English Hexateuch (London, British Library Cotton MS Claudius B.iv)
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ISBN: 0268102082 0268102074 9780268102074 9780268102081 9780268102050 0268102058 Year: 2017 Publisher: Notre Dame, Indiana : University of Notre Dame Press,

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"In Moses the Egyptian, Herbert Broderick analyzes the iconography of Moses in the famous illuminated eleventh-century manuscript known as the Illustrated Old English Hexateuch. A translation into Old English of the first six books of the Bible, the manuscript contains over 390 images, of which 127 depict Moses with a variety of distinctive visual attributes. Broderick presents a compelling thesis that these motifs, in particular the image of the horned Moses, have a Hellenistic Egyptian origin. He argues that the visual construct of Moses in the Old English Hexateuch may have been based on a Late Antique, no longer extant, prototype influenced by works of Hellenistic Egyptian Jewish exegetes, who ascribed to Moses the characteristics of an Egyptian-Hellenistic king, military commander, priest, prophet, and scribe. These Jewish writings were utilized in turn by early Christian apologists such as Clement of Alexandria and Eusebius of Caesarea. Broderick's analysis of this Moses imagery ranges widely across religious divides, art-historical religious themes, and classical and early Jewish and Christian sources. Herbert Broderick is one of the foremost historians in the field of Anglo-Saxon art, with a primary focus on Old Testament iconography. Readers with interests in the history of medieval manuscript illustration, art history, and early Jewish and Christian apologetics will find much of interest in this profusely illustrated study"--


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From dust to digital : ten years of the Endangered Archives Programme
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ISBN: 9781783740628 9781783740635 9781783740642 9781783740659 9781783740666 1783740647 1783740655 1783740663 1783740639 1783740620 2821876262 Year: 2015 Publisher: Open Book Publishers

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"Much of world's documentary heritage rests in vulnerable, little-known and often inaccessible archives. Many of these archives preserve information that may cast new light on historical phenomena and lead to their reinterpretation. But such rich collections are often at risk of being lost before the history they capture is recorded. This volume celebrates the tenth anniversary of the Endangered Archives Programme at the British Library, established to document and publish online formerly inaccessible and neglected archives from across the globe. From Dust to Digital showcases the historical significance of the collections identified, catalogued and digitised through the Programme, bringing together articles on 19 of the 244 projects supported since its inception. These contributions demonstrate the range of materials documented -- including rock inscriptions, manuscripts, archival records, newspapers, photographs and sound archives -- and the wide geographical scope of the Programme. Many of the documents are published here for the first time, illustrating the potential these collections have to further our understanding of history."--Publisher's website.

Papyrus British Museum 10808 and its cultural and religious setting
Authors: --- ---
ISBN: 9004143491 9789004143494 9786611396664 1281396664 9047407350 9789047407355 9781281396662 6611396667 Year: 2006 Volume: 24 Publisher: Leiden Boston Brill

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This volume presents a new reading of an extraordinary Proto-Coptic magical text. Papyrus British Museum EA 10808 features a unique spell for a victim of divine wrath composed in the liturgical language of ancient Egypt but in Greek script with a few Demotic signs. Sederholm reveals a coherent and distinctive text that contributes to the illumination of Egyptian thought in the Graeco-Roman Period just before the great shutdown of the ancient temple learning. In nine chapters of transcription, translation, and commentary, Sederholm considers such features as taboo, secrecy, and the efficacy of magical words and names. He also discusses the destructive nature of the stars and the role of Fate in the bloody slaughter of divine enemies within the text.


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Esoteric images : decoding the late Herat school of painting
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ISBN: 9004398414 9004398007 9789004398412 9789004398009 Year: 2019 Publisher: Leiden ; Boston : Brill,

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In Esoteric Images: Decoding the Late Herat School of Painting Tawfiq Daʿadli decodes the pictorial language which flourished in the city of Herat, modern Afghanistan, under the rule of the last Timurid ruler, Sultan Husayn Bayqara (r.1469-1506). This study focuses on one illustrated manuscript of a poem entitled Khamsa by the Persian poet Nizami Ganjavi, kept in the British Library under code Or.6810. Tawfiq Daʿadli decodes the paintings, reveals the syntax behind them and thus deciphers the message of the whole manuscript. The book combines scholarly efforts to interpret theological-political lessons embedded in one of the foremost Persian schools of art against the background of the court dynamic of an influential medieval power in its final years.

Modern art and the idea of the Mediterranean
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ISBN: 1442684585 0802091709 0802091040 9780802091703 9781442684584 Year: 2007 Publisher: Toronto [Ont.] University of Toronto Press

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The Mediterranean is an invented cultural space, on the frontier between North and South, West and East. Modern Art and the Idea of the Mediterranean examines the representation of this region in the visual arts since the late eighteenth century, placing the ?idea of the Mediterranean? ? a cultural construct rather than a physical reality ? at the centre of our understanding of modern visual culture. This collection of essays features an international group of scholars who examine competing visions of the Mediterranean in terms of modernity and cultural identity, questioning and illuminating both European and non-European representations. An introductory essay frames the analysis in terms of a new spatial paradigm of the Mediterranean as a geographic, historical, and cultural region that emerged in the late eighteenth century, as France and Britain colonized the surrounding territories. Essays are grouped around three vital themes: visualization of the space of the new Mediterranean; varied uses of the classical paradigm; and issues of identity and resistance in an age of modernity and colonialism. Drawing on recent geographical, historical, cultural and anthropological studies, contributors address the visual representation of identity in both the European and the ?Oriental,? the colonial and post-colonial Mediterranean.


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The Old English version of Bede's Historia ecclesiastica
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ISBN: 9781843842736 1843842734 9781846158483 9786613932884 1846158486 128362043X Year: 2011 Volume: 16 Publisher: Suffolk : Boydell & Brewer,

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The first full-length study of the Old English version of Bede's masterwork, dealing with one of the most important texts to survive from Anglo-Saxon England. The subjects treated range from a detailed analysis of the manuscripts and the medieval use of them to a very satisfying conclusion that summarizes all the major issues related to the work, giving a compelling summary of the value and importance of this independent creation. Dr Rowley convincingly argues that the Old English version is not an inferior imitation of Bede's work, but represents an intelligent reworking of the text for a later generation. An exhaustive study and a major scholarly contribution.' GEORGE HARDIN BROWN, Professor of English emeritus, Stanford University. The Old English version of Bede's 'Historia ecclesiastica gentis anglorum' is one of the earliest and most substantial surviving works of Old English prose. Translated anonymously around the end of the ninth or beginning of the tenth century, the text, which is substantially shorter than Bede's original, was well known and actively used in medieval England, and was highly influential. However, despite its importance, it has been little studied. In this first book on the subject, the author places the work in its manuscript context, arguing that the text was an independent, ecclesiastical translation, thoughtfully revised for its new audience. Rather than looking back on the age of Bede from the perspective of a king centralizing power and building a community by recalling a glorious English past, the Old English version of Bede's 'Historia' transforms its source to focus on local history, key Anglo-Saxon saints, and their miracles. The author argues that its reading reflects an ecclesiastical setting more than a political one, with uses more hagiographical than royal; and that rather than being used as a class-book or crib, it functioned as a resource for vernacular preaching, as a corpus of vernacular saints' lives, for oral performance, and episcopal authority. Sharon M. Rowley is Associate Professor of English at Christopher Newport University.

The architecture of the British Library at St. Pancras
Authors: --- --- --- ---
ISBN: 0419251200 Year: 2004

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